The top 3 international and the top 3 Canadian short films as voted by you face off for two $500 Audience Award prizes.
Come see some of the year’s best shorts and pick our winners!
Screenings are available for FREE at the JNAAG.
Nov 17th & 20th: CAD Shorts #1 12:00 PM I CAD Shorts #2 2:30 PM
Nov 18th: I NT' L Shorts 2:00 PM I CAD Shorts #1 6:30 PM
Nov 19th: CAD Shorts #2 1:00 PM I INT'L Shorts 2:30 PM
SHORT FILM FINALS to take place at the
Imperial Theatre @ 1pm - Sunday Nov 21st
canadian programme 1
The Archivists
Dir. Igor Drljača
Acclaimed filmmaker Igor Drljača (The White Fortress, also screening at SWIFF) charms with a romanticized dystopian take on an oppressed society, which sees a group of nomads reconnect with their humanity through music and artifacts.
Twelve Hours
Dir. Paul Shkordoff
Paul Shkordoff turns his camera on a timely subject in this sharp, intimate observation of an overworked health care professional trying to catch a breath at the height of the pandemic.
Defund
Dir. Khadijah Roberts-Abdullah, Araya Mengesha
Toronto-based actor-director duo Khadijah Roberts-Abdullah and Araya Mengesha craft an urgent take on the racial injustice movement that erupted across the globe over the summer of 2020 in this activist comedy.
Together
Dir. Albert Shin
Albert Shin (In Her Place, SWIFF 2015) returns with this haunting drama shining a light on South Korea’s high suicide rate. The touching story finds two strangers unexpectedly connecting while looking for companionship in death. Winner of VIFF's Best Canadian Short Film Award.
Angakusajaujuq - The Shaman's Apprentice
Dir. Zacharias Kunuk
An atmospheric ride rooted in legend, this gorgeous stop-motion animation from acclaimed filmmaker Zacharias Kunuk (Atanarjuat) tells the story of a young shaman embarking on a journey through the spirit world that will test her very fortitude.
canadian programme 2
Nuisance Bear
Dir. Jack Weisman,
Gabriela Osio Vanden
Jack Weisman and Gabriela Osio Vanden capture a polar bear’s entrance and exile from a small town in this breathtaking piece of documentary filmmaking that quietly observes the clash of community and wildlife in Churchill, Manitoba.
The Horses
Dir. Liz Cairns
After most of her stable had to be euthanized, a young woman is desperate to find a companion mare for the sole remaining horse. This quietly affecting drama by Liz Cairns, a Berlinale Talents alumna and graduate of the Canadian Film Centre’s Directors’ Lab, recently won VIFF's Best BC Short Film award.
Boobs
Dir. Marie Valade
A wonderful piece of animated storytelling that is at once playful and nuanced in its study of a woman’s complex relationship with her body. Marie Valade stuns with surrealist illustrations of the female form featuring a soft colour palette and enviable range of visual creativity that radiates femininity and nurtures body positivity.
Absence
Dir. Arshile Egoyan
When Andrew's mother disappears without a trace and leaves the differently-abled young man in his grandmother's care, his estranged aunt rushes back to the family home in a bid to restore order and unity in Arshile Egoyan's powerful, performance-driven chamber drama.
Like the Ones
I Used To Know
Dir. Annie St-Pierre
December 24, 1983, 10:50 p.m: Julie and her cousins ate too much sugar, Santa Claus is late and Denis, alone in his car, is anxious about setting foot in his ex-in-law's house to pick up his children in this disarmingly charming coming-of-age dramedy that is as squeaky as it is poetic.
international programme
A Young Tough
Dir. Pengwei David Wang
When not listening to his parents’ constant bickering, young Ran spends his time coveting other kids’ Gameboys and blowing up insects on the rooftop of his building. David Pengwei Wang draws from his memories of growing up in 90s Ontario in this mesmerizing coming-of-age piece about a boy finding a kindred spirit in the midst of family dysfunction.
Egúngún (Masquerade)
Dir. Olive Nwosu
Returning to her hometown of Lagos for her mother’s funeral, a young woman realizes she must confront her past to find grounding in her present. Set against the lush ceremonial backdrop, Nwosu (BAFTA Pigott 2020 Scholar and Alex Sichel 2020 Fellow at Columbia University) infuses the elegant drama with achingly nuanced emotional charge and a distinct feminine touch.
Hawalari
Dir. Cássio Domingos
Hawalari is patrolling the rainforest near his village when he comes across a wounded explorer desperate to track down the rest of Hawalari’s tribe. Set in the heart of Brazilian Indigenous territory, this tautly calibrated period drama sharply reframes colonial trauma through an intimate brush between two young men.
The Infantas
Dir. Andrea Herrera Catalá
A mother-daughter stand-off ensues when Ruth, a Latin hairdresser, decides to sponsor the Dominican float at the Barcelona parade for an opportunity to present her tomboyish daughter in her best princess attire. Brimming with life, music and defiance, Andrea Herrera Catalá astutely captures the inevitable clash of wills within the ebb and flow of a mother-daughter relationship.
Otava
Dir. Lana Bregar
In the wake of her mother’s passing, a teenage girl struggles to connect with her grandmother in their shared grief. Set on a farm in the Slovenian countryside, this tender, minimalist drama engages all our senses while gently probing the themes of generational disconnect and recalibration of family dynamics.